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90%WASSER - REGULAR DISCOGRAPHY 2001 2005
| WCD
001 |
Column One - 'Electric
Pleasure' |
| WCD 002 | V.A. - '90%Wasser Artists Play...' |
| WCD 003 | V.A. - 'Archive I' |
| WCD 004 | Column One - 'Electric Light' |
| WCD 005 | Column One - 'The Audience Is Sleeping' |
| WCD 006 | Column One - 'Dream Time' (normal edition) |
| WCD 007 | Marc Wannabe- 'Things Don't Last Very Long' |
| WCD 008 | Column One - 'Dream Time' (special edition) |
| WCD 009 | Urk Giten/Stea Andreasson/Jürgen Eckloff - 'War Has Come Home' |
| WCD 00A | V.A. - 'The Spears Muscle' |
| WCD 00B | Column One - 'Records' |
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| WVINYL001 | Fransisco López - 'untitled single piece 5' |
| WVINYL002 | Frieder Butzmann - 'Vertrauensmann des Volkes' |
| WVINYL003 | Jürgen Eckloff - 'Zwei Sinterflaschen in Wechselschaltung' |
| WVINYL003x | Jürgen Eckloff - 'Sinterflaschen - Box' |
| WVINYL004 | Kein Zweiter - 'Muskeln und Kraft = Überlegenheit' |
| WVINYL005 | Column One - 'Sometimes...' |
| WVINYL006 | Column One / Ditterich von Euler Donnersperg - 'Die Truhe im Fluß' |
| WVINYL007 | Column One - 'La Source De La Citation N´Pas Connue' |
| WVINYL008 | Marc Wannabe - 'Alte Faltige Roboter' |
| WVINYL009 | Hermann Bohlen - 'Sag doch auch mal was! oder Das Luxurieren der Bastarde' |
| WVINYL010 | Column One - 'Preset Training' |
| WVINYL011 | MOWE - 'Humsibum' |
| WVINYL012 | Chen Yi- 'The 1978-1983' |
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| WVIDEO001 | Column One - 'Braunserver' |
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WCD 001 COLUMN ONE "ELECTRIC PLEASURE" CD, 32 pages booklet (first edition only) release-date: November 2001 In Electric Pleasure, the analog-bubbling concepts of the future in the 50's & 60's, equipped with vocoder voices and in a mega-futuristic / surrealistic environment, combine with today's digital, dust-free, and distorted image of the future which does not deviate from scientifically fathomable reality by one macro-millimeter. The scenery is created by a multitude of sound projections & transports the listener directly into the center of the future. ...computer-generated life forms & locations from the past future, meet reanimated electronic sounds & beats, virtual robot talk shows & fictional Sci-Fi orchestras. note: limited edition "Electric Pleasure" pictureLP by Column One included completely different material Tracklist: 01. No Limits To The Imagination (MP3) 02. Don't Move The Iron-Feet In Time 03. Die Welt dreht sich im Kreis 04. Electric Bones (excerpt MP3) 05. Electric Voices 06. Nacht aus Stahl 07. Re-Start To Move 08. Im Zentrum der Zeit 09. Voice Test 10. MZ4 / Alpha Ville 11. Die Stimmen des Radios 12. Receiver 13. Die Stimme der Energie / Electric Pleasure P.6 |
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WCD 002
VARIOUS ARTISTS "90%WASSER ARTISTS PLAY..." CD release-date: December 2001 Tracklist: 01. Mimetic Fake vs Column One -- Hasel 43 02. Column One -- Radiowellen (excerpt MP3) 03. Marc Wannabe feat. Jürgen Ploog -- Alte Faltige Roboter (excerpt MP3) 04. Jürgen Ploog/Andrew Loadman -- (Fragment) 05. Scimox -- Re-Gas (MP3) 06. Column One -- White Errors - Language 07. M.O.W.E. -- Vom Leben Ins Tod 08. The Excellent Listener -- Happy Anniversary 09. Rechenzentrum vs Column One -- Art To Dance 10. Andrew Loadman -- Electronic Stores 11. Le Bach - Würfelkanon 12. Jürgen Eckloff -- Die Sonnenleier (excerpt MP3) 13. Francisco López -- Untitled Single Piece 5 pt. 2 (excerpt MP3) 14. Andrew Loadman -- White Rabbit 15. Afanassi Viebeg vs Andrew Loadman -- Schweiz 99 16. Frieder Butzmann/Genesis P-Orridge -- Tales Of Death |
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WVIDEO 001
COLUMN ONE BRAUNSERVER VIDEO, VHS, 30min release-date: December 2001 Braunserver is organised by a dramaturgy which is structured by the single situations used. The film experiments with the scenic patterns of social conditioning and simulated needs. To serve these ends, the method of Granular Synthesis is applied. It enables the fragmentation of a sequence to its smallest parts - the single frame. The resulting frames are reassembled and thus a new alienated clone is created out of the original material. A flood of audio-visual de-fragmentation of various information layers uses as its sources almost exclusively TV commercials. One can differentiate between two modes of viewing Braunserver : Mode 1 is a self-reflexive representation of the film medium, focussing on its functional principle of unexhaustive fragmentary and reproductive possibilities. Thus, playing with smallest particles of information become possible constituting various patterns in space and rhythm. Previously unknown levels of meaning can be disclosed, that have been functioning as a surface for the projection of traditional and conventional listening and viewing habits Mode 2 involves thematizing the social constructs of values, needs, desires and emotional categories. In this sense publicity can be understood as social studies that offer an interactive platform of socio-cultural communication, where producers and consumers can be seen as identical copies of each other. (excerpt MPG) |
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WCD 004
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WVINYL 002 |
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WVINYL 001 |
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WCD 00A |
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WCD 00B |
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WVINYL 006
COLUMN ONE / DITTERICH VON EULER-DONNERSPERG "DIE TRUHE IM FLUSS" LP, limited edition of 500 numbered copies release date: December 2002 side one: Ditterich von Euler-Donnersperg 1. Das Süffelfläschchen des kleinen Fritz (MP3) 2. Der Trostgnattel des kleinen Fritz 3. Der Gnattelsack des kleinen Fritz 4. Die Bettpfanne des kleinen Fritz all tracks by Ditterich Von Euler-Donnersperg, under the use of basic compositions by Column One. produced 2002, Hamburg. side two: Column one 1-4. Die Truhe im Fluss #1-4 (excerpt MP3) all tracks by Column One, under the use of basic compositions by György Ligeti & words by Naomi Klein. produced 2001-2002, Berlin. |
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WCD 005/PLUS 064 |
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WVINYL 008 |
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WVINYL 009 HERMANN BOHLEN "SAG DOCH AUCH MAL WAS! ODER DAS LUXURIEREN DER BASTARDE" LP, limited edition of 500 copies release date: September 2003 Live-Mitschnitte aus den Wohnzimmern der 60er Jahre. Abgestaubt und montiert von Hermann Bohlen Deutschland, Ende der sechziger Jahre: Der Bohrmaschine dicht auf den Fersen, strebt die Verbreitung des Tonbands ihrem Höhepunkt zu. Für eine gewisse Zeit ist es die beliebteste Technik, die dokumentarische Wut auszutoben und die ersten Worte der lieben Kleinen, ihre putzigen Äußerungen und Konversationen für alle Ewigkeit aufzubewahren. Erstmal müssen sie jedoch zum Sprechen gebracht werden. Da helfen nur Geduld und ständige Aufmunterung, gerade bei so zugeknöpften Entertainern wie Klein-Karen aus Kanada: Sag doch auch mal was! Notfalls kräftig anbrüllen: Nun gib schon mal'n Ton von dir!!! Schließlich fangen sie sogar an zu singen. Oh Baby-Baby Kacke-Kacke! Manchmal hilft aber auch gar nichts, das blöde Kind verweigert die richtige Aussprache des Wortes "Bürgermeisterei": Ach, jetzt biste Dummerchen! Unterdessen bedient sich der Erwachsene selbst der Apparatur. Er spricht sein Tagebuch auf Band. Kurz mußten wir nochmal umkehren, weil wir die Wolldecke vergessen hatten. Mitschnitte interessanter Sendungen über das Luxurieren der Bastarde oder Gefahren des Pettings werden angefertigt, der Stand der eigenen Gesangskunst dokumentiert. Mein Bruder ist nazifiziert, meine Schwester ist nazifiziert, und nun sind wir alle entnazifiziert. Bevor Oma-Hamburg stirbt, hat sie immerhin eine Stimmprobe hinterlassen, so können wir jetzt wenigstens etwas in Erinnerungen schwelgen. Mit den siebziger Jahren schwenkt der Versuch, die Momente des Privaten festzuhalten, um auf Super-8, und die Bänder und Maschinen wandern auf den Dachboden. Via Entrümpelung landen sie so nach und nach auf den Flohmärkten, wo man sie nur noch aufzusammeln braucht. Aus diesem Material wurde ein Stück montiert, in dem sich die ekelhaftesten und schönsten Funde zu einem Sittengemälde jener Zeit fügen. '64-'70 privat. Mit etwas Glück werden Sie sich selbst hören... excerpt 1 (MP3) excerpt 2 (MP3) |
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WVINYL 007
An voyage through the labyrinthine mind of Column
One... ...a surreal, organic sound projection... |
| watch some of the handmade sleeves here |
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WVINYL 003
JÜRGEN ECKLOFF "ZWEI SINTERLASCHEN IN WECHSELSCHALTUNG" LP, limited edition of 280 copies release date: February 2004 A longplayer that features everything that was left. 38 uncut minutes playing, a vast quantity of various bits and different events. "I use sound phenomena as acoustic basis!" explains the author. Furthermore he tells us that "events of highest artistic origin are juxtaposed with sometimes muffled and twisted results of sonorous cuttings." A rather short but quite precise clarification that doesn't need to be commented further. Only the compatibility of this analogue rotating medium should be mentioned. Buying this medium does not interfere with criminal law. Condition: a bit of knowledge and a playback device. excerpt one (MP3) excerpt two (MP3) |
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WVINYL 010 |
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WVINYL
005 / LAUB 008 |
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WCD 003 |
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WVINYL 011 sample
(MP3) |
| watch some of the handmade sleeves here |
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WCD
006 |
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WCD
007/PLUS 068 |
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WCD
009 On September 11, 2001, an American journalist wrote
a letter to his child’s soccer coach who had not cancelled practice
that day because he wanted to I know that you meant well and wanted to show your sympathy. But it could be that this just isn’t possible for a European. There is more at stake here than just mourning for the victims and their families. What happened today has completely shaken our national self understanding. We Americans find ourselves in a collective stake of shock. Our self understanding as the secure and final bastion of freedom and democracy is gone. The American way of life is now a thing of the past. Don’t be angry, but in moments such as these one doesn’t play soccer with children, one takes time alone to reflect.” The German translation of this letter (published in the “Berliner Zeitung” on 9/13/2001) was the basis for a book of collages by Urk Giten. Jürgen Eckloff and Stea Andreasson collected audio
material from the media between 2001 and 2004, which dealt with September
11 and subsequent events that heavily influenced the collective consciousness.
The result is a very intensive Audio-Collage that shows the shock, the
hysteria and the preparation for (a) new war(s) after September 11. |
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WVINYL
012 The sound of CHEN YI is rough & brutal... electronic
music, soundcollages |
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WVINYL
004 first album by this berlin-based project. gort klüht
& klaus-helene ramp producing a weird mixture out of somehow "old-school"
electro, ndw-like minimalism..... and of course lyrics with the sense for the
very important... |